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The psychology of the orgiastic as an overflowing feeling of life and strength, where even pain still has the effect of a stimulus, gave me the key to the concept of tragic feeling, which had been misunderstood both by Aristotle and, quite especially, by our modern pessimists. Tragedy is so far from proving anything about the pessimism of the Hellenes, in Schopenhauer’s sense, that it may, on the contrary, be considered its decisive repudiation and counter-instance. Saying Yes to life even in its strangest and hardest problems, the will to life rejoicing over its own inexhaustibility even in the very sacrifice of its highest types—that is what I called Dionysian, that is what I guessed to be the bridge to the psychology of the tragic poet. Not in order to be liberated from terror and pity, not in order to purge oneself of a dangerous affect by its vehement discharge—Aristotle understood it that way—but in order to be oneself the eternal joy of becoming, beyond all terror and pity—that joy which included even joy in destroying.
And herewith I again touch that point from which I once went forth: The Birth of Tragedy was my first revaluation of all values. Herewith I again stand on the soil out of which my intention, my ability grows—I, the last disciple of the philosopher Dionysus-I, the teacher of the eternal recurrence.
— Friedrich Nietzsche, Twilight Of The Idols.